key details
12 September — 16 September 2022
Mantua, Palazzo Te
30 hours; 9:30am — 6:30pm
about
During September 2022, as part of the programme ‘Fare Arte’ conceived by the Scuola di Palazzo Te, Factum Foundation in the context of ARCHiVe activities organised the workshop Recording Giulio Romano: Shape & Surface, introducing students and professionals to the techniques and methods of digital preservation.
The 30-hour workshop transferred theoretical and practical methodologies for digital recording, while carrying out a real digitisation project inside Palazzo Te in Mantua, focusing on recording specific art and architecture elements, mainly frescoes and stucco reliefs (XVI Century, mainly by Giulio Romano). Nine international professionals, PhD researchers and graduate students coming from Italy, Canada, Estonia and India participated in the initiative. Their diverse backgrounds and interests coming from different studies in Art & Cultural Heritage, Digital Humanities, Industrial Design, Political Science and Marketing enriched the workshop, offering new visions and points of view on digital recording.
Attendants were split into groups to provide each person with the opportunity to practice with the recording systems (photogrammetry, panoramic photography, Lucida 3D Scanner and LiDAR 3D Scanning) and to become familiar with the methodologies.
Working with ARCHiVe’s experts to carry out the digitisation tasks on site, the students’ work resulted in high-resolution digital recordings of Giulio Romano’s architectural masterpiece.
Programme
Each day was divided into three complementary sessions: theory (1,5 h/day), tutorials (1,5 h/day), and fieldwork (3 h/day).
in depth
In line with Factum Foundation’s principles, all data was then provided to Palazzo Te to help the preservation and study of the artworks. One of the main goals of this project was indeed to facilitate research and stimulate comparisons.
Some of Giulio Romano’s designs for Palazzo Te’s decorative elements were objects of a comparative study at ARCHiVe. The research has been carried out by Carolina Gris and Marina Luchetti thanks to the rich bibliographical collections in the Fondazione Giorgio Cini’s Library specialized in art history, establishing a unique link between the two projects.