Arnaldo Pomodoro Archive: digitising to preserve and enhance

Contact sheet of the photo shoot of the Rotanti sculptures located on the banks of the Ticino River. Photographs by Ugo Mulas © Eredi Ugo Mulas
Arnaldo Pomodoro's desk in the studio on Via Vigevano, Milan © Andrea Cerabolini
Arnaldo Pomodoro and Ettore Sottsass at the house on Via della Commenda, Milan. Photographs by Ugo Mulas © Eredi Ugo Mulas
The consultation room of the Arnaldo Pomodoro Archive in Vicolo Lavandai, Milan © Andrea Cerabolini
Raw file generated during the digitisation process, before post-production
Digitisation of archival materials at the Digital Centre of the Fondazione Giorgio Cini © Joan Porcel
Digitisation of archival materials at the Digital Centre of the Fondazione Giorgio Cini © Joan Porcel

key details

3 December 2024
Online on Zoom
3pm — 5pm (CET)

about

The Fondazione Arnaldo Pomodoro, established at the artist’s behest in 1995, has the primary task of conserving and disseminating his work.

The Archive, managed by the Foundation itself, houses a wide variety of materials documenting the sculptor’s artistic production and professional relationships: photographs, exhibition catalogues, correspondence, models, and other working materials. To provide broader public access to this heritage, the Catalogue Raisonné and the Online Archive projects were initiated, including a collaboration with the Digital Centre of the Fondazione Giorgio Cini for the acquisition of fragile and complex materials, such as thirteen scrapbooks (1954-1984) and the substantial Ugo Mulas collection (1960-1970).

The lecture presents the Archive through its history, materials, and the management dynamics that the Foundation implements for its enhancement; it will also illustrate the ongoing digitisation process and the technologies used for rendering the digital files.

The lesson will be held in Italian.

Lecturers

Ilaria Sgaravatto

Archivist at the Arnaldo Pomodoro Foundation. She graduated in History and Criticism of Art from the University of Milan and completed a postgraduate specialisation course at the Alma Mater Studiorum – University of Bologna, focusing on the History of Photography. Her thesis on Antonia Mulas was followed by further research and publications in the field.

Dario Peluso

Software developer specialised in computer vision, he currently leads software development at the Digital Centre of Fondazione Giorgio Cini. Coming from a decade-long professional activity in the field of music print (having worked for major music publishers such as Ricordi, Breitkopf & Härtel, Bärenreiter, Schott) he is today focused on the field of digital humanities and technologies at the service of cultural heritage.

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